Sales and purchases in the last few years

I have been slow in updating this site recently, so here is an overview of what has been occurring in the world of Eyre Crowe’s artworks:

I was alerted to the publication in The Daily Graphic of a brief letter from Eyre Crowe and a sketch of steeplejacks repairing the steeple of Bromsgrove parish church. The item is listed under the title After The Great Gale: Repairing a Steeple (1891).

Steeple Repair 19 Nov 1891

‘After the Great Gale: Repairing a Steeple’ by Eyre Crowe A.R.A. (1891)

Dr Johnson receiving Boswell in the Library (1899) has been purchased by a delighted private collector in Vancouver, Canada.

Landscape with stream and figures: The Lovers (1880) was auctioned in Texas in 2016 under the title ‘Courting’.

The owner of The meeting of Louis XI and Edward IV on the Bridge of Pecquigny (1855) has been kind enough to supply with a photograph of this fantastic painting, which is one of Eyre Crowe’s earliest large works.

The meeting of Louis XI and Edward IV at Pecquery

‘The Meeting of Louis IX and Edward IV on the Bridge of Pecquigny’ by Eyre Crowe (1855)

Finally, three separate sets of sketches attributed to Eyre Crowe have come up for sale through various auction houses:

  • Three Figure Studies (19 April 1901 and n.d.). Medium: charcoal and pencil heightened with white. Size: largest 47 x 22 cm. Offered by Bellmans Auctioneers and Valuers, Billingshurst, West Sussex, 5 March 2018 (Lot 1071)
  • Eight sketches by Eyre Crowe, from the collection of Judith Adelman. Medium: pen and ink, pencil and wash. Size: various, largest 17 x 13 inches. Advertised in Weekly Internet Rare Books and Autographs Auctions #201537 by Heritage Auctions, 3-10 Sep 2015 (lot 92359)
  • Fifteen Figure Studies in Two Frames (various dates). Medium: pen, ink and washes. Size: smallest 10 x 3 cm, largest 17 x 27 cm. Attributed to Eyre Crowe and offered for sale by Cuttlestone’s auctioneers, Penkridge, Fine Art and Antiques Sale, 23-24 Nov 2017 (Lot 61). However, the style of the sketches is not exactly reminiscent of Eyre Crowe’s work, and none are signed by him (as was his usual practise), so I doubt the attribution.

Thank you to all the owners who have contacted me about Eyre Crowe pictures – it is always fascinating to hear about paintings and sketches in private hands.

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