‘Crossing the Brook’, new colour image available

May 17, 2024
Coloured oil painting showing a woman carrying a child walking across a wooden footbridge over a stream surrounded by trees and fields
‘Crossing the Brook’ by Eyre Crowe A.R.A. (1899)

The owner of this charming painting, started near Boulogne in the autumn of 1898 and exhibited at the Royal Academy exhibition in London the following spring, has very kindly supplied me with photographs of the work. It is wonderful to see Crowe’s paintings in full colour. Previously, I only had a dark grainy black and white image reproduced in the exhibition publication ‘Royal Academy Pictures’. It gave an idea of the subject matter, but the real thing is so much more alive with movement and light. I like the pop of colour the blue skirt gives, and it is also exciting to see the brush strokes more clearly, done very loosely, suggesting that some of the actual painting, not just the sketching, was done outside.

'Crossing the Brook' by Eyre Crowe A.R.A. (1899)
‘Crossing the Brook’ by Eyre Crowe A.R.A. (1899). Reproduction from Royal Academy Pictures, 1899, p. 45

For sale – ‘Hauling the Boat Ashore’ (1871)

August 2, 2022
‘Hauling the boat ashore – coast of France’ by Eyre Crowe (1871)

Your chance to buy an oil painting by Eyre Crowe!

Hauling the boat ashore – coast of France‘, a stunning painting completed in 1871, is to be sold at auction by Atkins Auctions at Axminster, Devon, on Friday 5 August. It appears always to have been in private hands and to my knowledge, never exhibited. Showing a group of women believed to be in traditional Breton costume, pulling a wooden boat out of the water, it is one of a number of paintings by Eyre Crowe inspired by his regular trips to northern France.


Pulling the boat ashore

May 19, 2010

'Pulling the boat ashore' by Eyre Crowe, 1871

'Pulling the boat ashore' by Eyre Crowe, 1871

A private owner has let me know about a painting in his possession, thought to be by Eyre Crowe and dating from 1871. Pulling the boat ashore seems to show a group of Breton women pulling a fishing boat onto a beach. The composition of the picture, with multiple characters arranged in a line, is very reminiscent of other paintings by Crowe, including At the pit-door (1873)  The Dinner Hour, Wigan (1874), and Nelson Leaving England for the Last Time (1888).