Bicentenary 4: Royal Academy Exhibitions

October 3, 2024

It’s Eyre Crowe’s 200th birthday!

The pinnacle of the art season in London in the mid-19th century was the Royal Academy Summer Exhibition. Only members of the Academy had their paintings automatically accepted. Eyre Crowe had to compete with others until he was elected as an Associate in 1876. The first painting of his to grace the walls was ‘Master Prynne Searching Archbishop Laud’s Pockets in the Tower’ in 1846. Between 1857 and 1908, a remarkable 62 consecutive years, at least one Eyre Crowe painting was to be seen at the Royal Academy Summer Exhibition. Most were reviewed in the numerous newspapers and art periodicals which dedicated reams of copy to the exhibition in the 19th century. This website Eyre Crowe (1824-1910) contains information about all the paintings and transcripts of the reviews.

I have come today to the Royal Academy Archives, in their wonderfully atmospheric library, to see a series of master sales catalogues from the summer exhibitions, starting in 1861. I am hoping to find out more details about some of the paintings which were sold to new owners directly from the Royal Academy exhibition walls.


Bicentenary 3: Royal Academy of Arts

October 3, 2024

It’s Eyre Crowe’s 200th birthday!

Eyre Crowe and his family moved back to London in 1844. He was 20 years old when he was accepted as a Probationer at the Royal Academy Schools on 11 July 1845. Dante Gabriel Rossetti joined on the same day. He became a full student on 19 December 1845. The initial part of the students’ training at this time was in the Antique School, making detailed hatched drawings of plaster casts and statues. They then progressed to the Life Academy and finally the School of Painting, and attended lectures. The Royal Academy of Arts was based in the National Gallery building on Trafalgar Square until 1869, when it moved to the current location at Burlington House, Piccadilly.

There is a digitised copy of the page showing Eyre Crowe’s entrance, from the Register of admission of probationers, 1824-1905. Royal Academy Collection, RAA/KEE/1/2.

Image: Drawing from Life at the Royal Academy (1808). Thomas Rowlandson (1756–1827) and Augustus Charles Pugin (1762–1832) (after) John Bluck (fl. 1791–1819), Joseph Constantine Stadler (fl. 1780–1812), Thomas Sutherland (1785–1838), J. Hill, and Harraden (aquatint engravers)